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Just around Midnight: Rock and Roll and the Racial Imagination c2016 Hamilton [true PDF]

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Books : Educational : English
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Just around Midnight: Rock and
Roll and the Racial Imagination (c2016), e-book by Jack Hamilton.

eBOOK INFO:
http://www.hup.harvard.edu/catalog.php?isbn=9780674416598
(ISBN-13: 9780674416598 hbk)

PITCH: «By the
time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten
years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock
and roll become “white”? Just around Midnight reveals the interplay of popular music and racial thought that
was responsible for this shift within the music industry and in the minds of fans.

Rooted in rhythm-and-blues
pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across
the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious,
more artistic—and the province of white musicians. Decoding the racial discourses that have distorted standard
histories of rock music, Jack Hamilton underscores how ideas of “authenticity” have blinded us to
rock’s inextricably interracial artistic enterprise.

According to the standard storyline, the
authentic white musician was guided by an individual creative vision, whereas black musicians were deemed authentic only
when they stayed true to black tradition. Serious rock became white because only white musicians could be original
without being accused of betraying their race. Juxtaposing Sam Cooke and Bob Dylan, Aretha Franklin and Janis Joplin,
Jimi Hendrix and the Rolling Stones, and many others, Hamilton challenges the racial categories that oversimplified the
sixties revolution and provides a deeper appreciation of the twists and turns that kept the music alive.»

BRIEF CONTENTS:
ToC with direct page links
INTRODUCTION: DREAMS AND NIGHTMARES
1. DARKNESS AT THE BREAK
OF NOON
Sam Cooke, Bob Dylan, and the Birth of Sixties Music
2. THE WHITE ATLANTIC
Cultural Origins of
the "British Invasion"
3. "FRIENDS ACROSS THE SEA"
Motown, the Beatles, and Sites and
Sounds of Crossover
4. "BEING GOOD ISN’T ALWAYS EASY"
Aretha Franklin, Janis Joplin, Dusty
Springfield, and the Color of Soul
5. HOUSE BURNING DOWN
Race, Writing, and Jimi Hendrix’s War
6.
JUST AROUND MIDNIGHT
The Rolling Stones and the End of the Sixties
Chapter Notes
INDEX

FILE
INFO: paginated, bookmarked, true PDF format (2 MB).


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